Dr. Jose Rizal's Speech to Luna and Hidalgo: A Call for Philippine Artistic Revitalization, Schemes and Mind Maps of Social structure and social organization

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Examination Part 2

Research the content of the

speech of Dr. Jose Rizal to

Luna and Hidalgo

ATTACHMENT OF THE

SPEECH

PERSONAL ANALYSIS

ABOUT THE SPEECH

Examination Part 2

ATTACHMENT OF THE SPEECH

In speaking before you I do not fear that you may listen to me with boredom, for you have come to share our enthusiasm with yours, that stimulus of youth, therefore you cannot help but be indulgent. Sympathetic currents pervade the air, bonds of fellowship radiate in all directions, kind souls listen and, therefore, I do not fear for my humble person, nor do I doubt your kindness. Men of goodwill, you seek goodwill, and from that height, where noble sentiments prevail, you give no heed to pettiness. You see the whole, and you judge the case and you extend your hand to someone who, like myself, desires to join you in one single thought, one single aspiration, the glory of genius and the splendor of the homeland. Such is, indeed, the reason why we are gathered. In the history of nations there are names that are related to an event which bring love and greatness to mind; names which, like magic formulas, evoke agreeable and pleasant thoughts; names which somehow take on the meaning of an agreement, a symbol of peace, a bond of love among nations. Luna and Hidalgo belong among these names; their glorious achievements illuminate the two ends of the globe: The Orient and the West, Spain and the Philippines. As I utter, gentlemen, their names, it is if I saw before me two luminous arches, projecting from both regions meeting half-way and entwining far on high, impelled by a sensation of sharing a common origin which unites two nations by an eternal bond, two nations that neither sea nor space can keep apart, two nations in which the seed of discord sown by the blind despotism of men will not bear fruit. Luna and Hidalgo bring glory to Spain as well as to the Philippines; they were born in the Philippines, but they could have been born in Spain, because creative genius does not manifest itself solely within the borders of a specific country: it sprouts everywhere; it is like light and air; it belongs to everyone: it is cosmopolitan like space, life and God. The patriarchal era of the Philippines is passing; the illustrious deeds of her sons are no longer wasted away at home; the oriental chrysalis is leaving the cocoon; the dawn of a long day ahead is heralded in brilliant shades and rose-colored dawns; and that ethnic race, fallen into lethargy during the historic night while the sun shone on other continents, again awakens, moved by the electric impact produced by contact with the people of the West, and begs for light, life and the civilization that once might have been its heritage, thus conforming to the eternal laws of constant evolution, transformation, recurring phenomenon and progress. This you well know and you exult in it; to you are owed the beauty of the diamonds that the Philippines wears in her crown; she produced the precious stones, Europe polished them. And all of us proudly look on your work, and we see ourselves as the flame, the breath, and the basic material. There they absorbed the poetry of nature; nature grand and terrible in its cataclysms, its transformations, its conflicting forces; nature sweet, peaceful and melancholy in its constant manifestation, unchanging; nature that stamps its seal upon whatever it creates or produces. Her sons bear this within themselves wherever they may be. Analyze, then, their accomplishments, if not their characteristics and however little you may know this nation, you will see her in everything, such as the molding of her knowledge like the soul that governs over everything, like the spring of a mechanical object, like substantial form, like raw material. It is impossible not to show what one feels; it is impossible to be one thing and do another; contradictions are only apparent; they are merely paradoxes. One “hears” coming from the canvas of “El Expolarium” the tumult of the throng, the cry of slaves, the metallic rattle of the armor on the corpses, the sobs of orphans, the murmuring prayers, with as much intensity and realism as is heard in the crash of thunder amid the roar of rapids or the fearful and frightful rumble of an earthquake. The same nature that conceives such phenomena has also a share of influence in the brush strokes. On the other hand, in Hidalgo’s work there beats an emotion of the purest kind, ideal expression of melancholy, beauty and frailty, victims of brutal force; this is because Hidalgo was born beneath the dazzling azure of that sky to the murmur of the breezes of her seas, in the placidity of her lakes, the poetry of her valleys and majestic harmony of her hills and mountains, and ranges.

Examination Part 2

PERSONAL ANALYSIS ABOUT THE SPEECH

Dr. Jose Rizal's speech to Luna and Hidalgo was a masterful display of

his advocacy for the revitalization of Philippine art and culture. At that

time, Philippine art was in a state of decline, with many artists looking

towards the West for inspiration. Rizal's speech sought to persuade

Luna and Hidalgo--two of the most renowned Philippine painters of

their time--to draw inspiration from Philippine history and culture.

Throughout the speech, Rizal emphasized the importance of an artist's

connection to their roots. He challenged Luna and Hidalgo to see the

beauty of Philippine art and history, and to use their talents to

showcase that beauty to the world. He believed that Philippine art

could be a powerful tool for uniting the country and creating a sense of

national identity.

The speech was also significant in its recognition of the power of art to

inspire social change. Rizal believed that art could be used to shape

public opinion and that artists had a responsibility to use their talents

for the betterment of society. This idea is evident in his call for Luna

and Hidalgo to use their art to celebrate Filipino heroes and to generate

a sense of national pride amongst Filipinos.

Overall, Rizal's speech to Luna and Hidalgo was a call to action for

Philippine artists to use their talents to celebrate Philippine history and

culture. His words were a powerful reminder of the connection

between an artist's work and the larger social and political context in

which it is created.