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Modernist Literature - Literature And Culture Post Modernism - Exams, Exams of Literature

Modernist Literature, Social and Cultural, Modernist Literature, Celebrates and Deplores, Characteristic of Modernist, Accepted Style, Modern Fiction, Significance of This Statement, Third Policeman, Moral Transgression are some points from questions given in this exam paper of Literature And Culture Post Modernism.

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2011/2012

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OLLSCOIL NA hÉIREANN, GAILLIMH
NATIONAL UNIVERSITY OF IRELAND, GALWAY
AUTUMN EXAMINATIONS, 2007/2008
THIRD & FOURTH ARTS EXAMINATION
EN386: Literature and Culture: (Post) Modernism
Professor A. Minnis
Professor G. Watson
Professor H. McDermott
Dr. S. Mooney
Dr. J. Kenny
TIME ALLOWED: THREE HOURS
ANSWER TWO QUESTIONS: ONE FROM EACH SECTION
PLEASE USE A SEPARATE ANSWER BOOK FOR EACH
SECTION
SECTION A: Modernism (Dr Mooney)
1. To what extent is the social and cultural background to modernist writing
significant to an understanding of any two texts on the course?
2. ‘Modernist literature both celebrates and deplores modernity.’ Discuss in relation
to at least two authors on the course.
3. Choose one of the modernist ‘manifestoes’ studied on the course and discuss (i)
the manifesto as a text in its own right and (ii) its significance for an understanding of
any one literary text on the course.
4. A preoccupation with the urban as theme or setting is characteristic of modernist
writing. Discuss in relation to two authors on the course.
5. ‘[I]f a writer were a free man and not a slave, if he could write what he chose, not
what he must, if he could base his work upon his own feeling and not upon
convention, there would be no plot, no comedy, no tragedy, no love interest or
catastrophe in the accepted style…’ (Virginia Woolf, ‘Modern Fiction’). Discuss the
significance of this statement for any two texts on the course.
Contd./…
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OLLSCOIL NA hÉIREANN, GAILLIMH

NATIONAL UNIVERSITY OF IRELAND, GALWAY

AUTUMN EXAMINATIONS, 2007/

THIRD & FOURTH ARTS EXAMINATION

EN386: Literature and Culture: (Post) Modernism

Professor A. Minnis

Professor G. Watson

Professor H. McDermott

Dr. S. Mooney

Dr. J. Kenny

TIME ALLOWED: THREE HOURS

ANSWER TWO QUESTIONS: ONE FROM EACH SECTION

PLEASE USE A SEPARATE ANSWER BOOK FOR EACH

SECTION

SECTION A: Modernism (Dr Mooney)

  1. To what extent is the social and cultural background to modernist writing significant to an understanding of any two texts on the course?
  2. ‘Modernist literature both celebrates and deplores modernity.’ Discuss in relation to at least two authors on the course.
  3. Choose one of the modernist ‘manifestoes’ studied on the course and discuss (i) the manifesto as a text in its own right and (ii) its significance for an understanding of any one literary text on the course.
  4. A preoccupation with the urban as theme or setting is characteristic of modernist writing. Discuss in relation to two authors on the course.
  5. ‘[I]f a writer were a free man and not a slave, if he could write what he chose, not what he must, if he could base his work upon his own feeling and not upon convention, there would be no plot, no comedy, no tragedy, no love interest or catastrophe in the accepted style…’ (Virginia Woolf, ‘Modern Fiction’). Discuss the significance of this statement for any two texts on the course.

Contd./…

…/Contd.

SECTION B: Postmodernism (Dr Kenny) Texts: Lolita , The Third Policeman , A Clockwork Orange , American Psycho , On Beauty and Being Just.

  1. Which two authors on this part of the course do you think are most rooted in their own national or local culture? Illustrate your answer with specific textual reference.
  2. If we accept that fictional texts have a documentary aspect, we can say that the world postmodern novels document and describe is typically a dangerous and depressing place. Discuss with reference to at least two texts from this part of the course.
  3. Postmodern authors are more concerned with stylistic transgression as a practice than moral transgression as a theme. Discuss with reference to at least two texts from this part of the course.
  4. Choosing any two texts from this part of the course, analyse how and why they seem especially preoccupied with ideas about beauty.
  5. Using any two texts from this part of the course, describe and illustrate what you think are the defining general aspects of the postmodern sensibility.

END