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Contextual Studies 1 (Popular) Module Specification, Lecture notes of Music

The module specification for contextual studies 1 (popular) at the university of hull. The compulsory, 30-credit module is delivered via lectures, workshops, and seminars and aims to equip students with compositional, musicological, and aural skills. Students will investigate the social, commercial, and contextual issues surrounding popular music and are expected to compose as part of the module. Learning outcomes, assessment methods, and a recommended reading list.

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Approved by the University of Hull January 2017 (2016+) Version 1.5
Module Specification
Module Title: Contextual Studies 1 (Popular)
Module code:
HBAMPM004
NQF level:
Level 4
Credit value:
30 credits
Semester of study:
1 and 2
Module type:
Compulsory
Pre-requisites:
None
Available to:
BA (Hons) Music (Popular)
Module overview
This team-taught module equips students with compositional, musicological and aural skills through the examination
of repertoire, styles, literature, concepts and discourse to better understand the effect of these on society. It is
delivered via lectures, workshops and seminars. Students will investigate the parameters through which we consume
and construct music, how we communicate their use, the social, commercial and contextual issues surrounding
them, and the manner in which we can employ these parameters to popular music practice. The module seeks to
challenge the students’ understanding of how music is constructed, used and interpreted within popular culture.
Students will also be expected to compose as part of the module and consider their creative choices in a wider
contextual frame.
Aims
This module forms part of the contextual studies strand of the programme and addresses core musical and academic
skills that support the students’ specialist study with particular reference to their pathway.
The module aims to:
1. Equip students with the fundamental skills and knowledge essential to the understanding, appreciation and
creation of music.
2. Explore, evaluate and apply the core musical skills (associated with relevant repertoire if appropriate).
3. Develop an understanding of repertoire and where appropriate, explore its social and cultural context.
Learning outcomes
On successful completion of this module, students will be able to:
1. Integrate theory and practice.
2. Identify and evaluate the structural, cultural and social aspects of key repertoire.
3. Apply harmonic and rhythmic conventions.
4. Demonstrate knowledge of repertoire through its social and cultural context, production and reception.
Learning and teaching methods
Lectures: concepts, principles and theories will be explored in formal lectures. They will be relevant to the particular
pathway.
Workshops/seminars: skills are developed in workshops and seminars along with cognitive and personal skills in
open-ended problem solving exercises by working in small groups supported by members of academic staff.
Contact hours and directed study (over semesters 1 and 2)
Delivery type
Student hours
Indicative hours for learning and teaching activities
60 hours
Indicative hours of directed study
240 hours
Total hours (100hrs per 10 credits)
300 hours
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Module Specification

Module Title: Contextual Studies 1 (Popular) Module code: HBAMPM004 NQF level: Level 4 Credit value: 30 credits Semester of study: 1 and 2 Module type: Compulsory Pre-requisites: None Available to: BA (Hons) Music (Popular) Module overview This team-taught module equips students with compositional, musicological and aural skills through the examination of repertoire, styles, literature, concepts and discourse to better understand the effect of these on society. It is delivered via lectures, workshops and seminars. Students will investigate the parameters through which we consume and construct music, how we communicate their use, the social, commercial and contextual issues surrounding them, and the manner in which we can employ these parameters to popular music practice. The module seeks to challenge the students’ understanding of how music is constructed, used and interpreted within popular culture. Students will also be expected to compose as part of the module and consider their creative choices in a wider contextual frame. Aims This module forms part of the contextual studies strand of the programme and addresses core musical and academic skills that support the students’ specialist study with particular reference to their pathway. The module aims to:

  1. Equip students with the fundamental skills and knowledge essential to the understanding, appreciation and creation of music.
  2. Explore, evaluate and apply the core musical skills (associated with relevant repertoire if appropriate).
  3. Develop an understanding of repertoire and where appropriate, explore its social and cultural context. Learning outcomes On successful completion of this module, students will be able to:
  4. Integrate theory and practice.
  5. Identify and evaluate the structural, cultural and social aspects of key repertoire.
  6. Apply harmonic and rhythmic conventions.
  7. Demonstrate knowledge of repertoire through its social and cultural context, production and reception. Learning and teaching methods Lectures : concepts, principles and theories will be explored in formal lectures. They will be relevant to the particular pathway. Workshops/seminars: skills are developed in workshops and seminars along with cognitive and personal skills in open-ended problem solving exercises by working in small groups supported by members of academic staff. Contact hours and directed study (over semesters 1 and 2) Delivery type Student hours Indicative hours for learning and teaching activities 60 hours Indicative hours of directed study 240 hours Total hours (100hrs per 10 credits) 300 hours

Opportunities for formative feedback Formative oral feedback will be given in tutorials and workshops. Assessment Method Description of assessment Length/Duration Weighting Module LOs addressed Spoken analysis (recording) 10 minutes 20% 2, 4 Essay 2000 words 30% 2, 4 Music and reflective commentary 7 minutes of music and 1000 words

Re-Assessment Method Description of assessment Length/Duration Weighting Module LOs addressed* Spoken analysis (recording) 10 minutes 20% 2, 4 Essay 2000 words 30% 2, 4 Music and reflective commentary 7 minutes of music and 1000 words

*Where practicable, assessments may be delivered through the conservatoire’s VLE or by video to ensure that overseas students are not disadvantaged or incur unnecessary travel costs. Assessments delivered through the VLE will be timed and invigilated. Indicative Reading List ( please note this includes resources for all BA Music pathways ) Essential:  Brackett, D. (2000) Interpreting Popular Music. Cambridge: Cambridge University Press.  Horner, B and Thomas Swiss (eds). (2008) Key Terms In Music and Popular Culture. Malden: Blackwell.  Piston, W. (1987) Harmony. New York: W.W. Norton.  Shuker, Roy. (2008) Understanding Popular Music Culture. Oxon: Routledge.  Storey, John. (2018) Cultural Theory and Popular Culture: An Introduction (8th^ Edition. Oxon: Routledge.  W.W.Norton. (1996) The Romantic Generation. London: Harper Collins.  Whittall, A. (1995) Music Since the First World War. London: Oxford University Press. Recommended:  Bukofzer, M. (1977) Music in the Baroque Era. London: J.M.Dent and Sons.  Burgess, R. (2014) The History of Music Production. OUP.  Clarke, E. Nicholas Cook, Daniel Leech-Wilkinson and John Rink (eds) (2009) The Cambridge Companion to Recorded Music. New York: Cambridge University Press.  Frith, S. (2001) Will Straw and John Street (eds). The Cambridge Companion to Pop and Rock. Cambridge: Cambridge University Press.  Frith, S. and Simon Zagorski-Thomas (eds) (2012) The Art of Record Production. Surrey: Ashgate.  Golding, C, Hepworth-Sawyer. (2010) What is Music Production? Focal Press.  Graham, G, (2005): Philosophy of The Arts: An Introduction to Aesthetics. Oxon: Routledge.  Gilreath, P. (2010) Guide to Midi Orchestration. Focal Press.  Griffiths, P. (1984) Bartok. London: J.M.Dent and Sons.  Gronow, P, and Ilpo Saunio. (1999) An International History of the Recording Industry. London: Cassell.  Jourdain, R. (2002) Music the brain and ecstasy. Avon Books.  Katz, M. (2004) Capturing Sound. London: University of California Press.  Kennedy, M. (1999) Strauss. Cambridge: Cambridge University Press.  Kirby, F.E. (1979) Music in the Classic Period. New York: Schirmer Books.  Lederman, M (ed) (1975) Stravinsky in the Theatre. New York: Da Capo Press.  Longhurst, B. (2007) Popular Music and Society. Cambridge: Polity Press.  Mellers, M. (1964) Music in a New Found Land. London: Barrie and Rockliff.