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Whatever hour you woke there was a door shutting. From room to room they went, hand in hand, lifting here, opening there, mak- ing sure–a ghostly couple.
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A Haunted House ||
Virginia Woolf
Whatever hour you woke there was a door shutting. From room to room they went, hand in hand, lifting here, opening there, mak-ing sure–a ghostly couple.
“Here we left it,” she said. And he added, “Oh, but here too!” “It’s upstairs,” she murmured. “And in the garden,” he whispered.“Quietly,” they said, “or we shall wake them.”
But it wasn’t that you woke us. Oh, no. “They’re looking for it; they’re drawing the curtain,” one might say, and so read on a pageor two. “Now they’ve found it,’ one would be certain, stopping thepencil on the margin. And then, tired of reading, one might riseand see for oneself, the house all empty, the doors standing open,only the wood pigeons bubbling with content and the hum of thethreshing machine sounding from the farm. “What did I come inhere for? What did I want to
fi
nd?” My hands were empty. “Per-
haps its upstairs then?” The apples were in the loft. And so downagain, the garden still as ever, only the book had slipped into thegrass.
But they had found it in the drawing room. Not that one could ever see them. The windowpanes re
fl
ected apples, re
fl
ected roses;
all the leaves were green in the glass. If they moved in the drawingroom, the apple only turned its yellow side. Yet, the moment after,
if the door was opened, spread about the
fl
oor, hung upon the
walls, pendant from the ceiling–what? My hands were empty.The shadow of a thrush crossed the carpet; from the deepest wellsof silence the wood pigeon drew its bubble of sound. “Safe, safe,safe” the pulse of the house beat softly. “The treasure buried; theroom...” the pulse stopped short. Oh, was that the buried treasure?
A moment later the light had faded. Out in the garden then? But the trees spun darkness for a wandering beam of sun. So
fi
ne, so
rare, coolly sunk beneath the surface the beam I sought alwaysburned behind the glass. Death was the glass; death was betweenus, coming to the woman
fi
rst, hundreds of years ago, leaving
the house, sealing all the windows; the rooms were darkened. Heleft it, left her, went North, went East, saw the stars turned in theSouthern sky; sought the house, found it dropped beneath theDowns. “Safe, safe, safe,” the pulse of the house beat gladly. ‘TheTreasure yours.”
The wind roars up the avenue. Trees stoop and bend this way and that. Moonbeams splash and spill wildly in the rain. But thebeam of the lamp falls straight from the window. The candle burnsstiff and still. Wandering through the house, opening the windows,whispering not to wake us, the ghostly couple seek their joy.
“Here we slept,” she says. And he adds, “Kisses without num- ber.” “Waking in the morning–” “Silver between the trees–”“Upstairs–” ‘In the garden–” “When summer came–” ‘In wintersnowtime–” “The doors go shutting far in the distance, gentlyknocking like the pulse of a heart.
Nearer they come, cease at the doorway. The wind falls, the rain slides silver down the glass. Our eyes darken, we hear no steps be-side us; we see no lady spread her ghostly cloak. His hands shieldthe lantern. “Look,” he breathes. “Sound asleep. Love upon theirlips.”
Stooping, holding their silver lamp above us, long they look and deeply. Long they pause. The wind drives straightly; the
fl
ame
stoops slightly. Wild beams of moonlight cross both
fl
oor and
wall, and, meeting, stain the faces bent; the faces pondering; thefaces that search the sleepers and seek their hidden joy.
“Safe, safe, safe,” the heart of the house beats proudly. “Long years–” he sighs. “Again you found me.” “Here,” she murmurs,“sleeping; in the garden reading; laughing, rolling apples in theloft. Here we left our treasure–” Stooping, their light lifts thelids upon my eyes. “Safe! safe! safe!” the pulse of the house beatswildly. Waking, I cry “Oh, is this your buried treasure? The light inthe heart.”
Woolf, Virgina. “A Haunted House.”
Monday or Tuesday: Eight Stories.
Mineola: Dover Thrift Editions, 1997. Print.